material used: canvas / location: Brooklyn Museum / instance of: painting

movement: Hudson River School (3) | Orientalism (2) | Naïve art (1)

genre: landscape art (48) | portrait (22) | marine art (10) | religious art (10) | animal painting (3) | Orientalism (2) | still life (2) | genre art (2) | equestrian portrait (2) | nude (1) | self-portrait (1) | group portrait (1) | capriccio (1) | interior view (1)

based on: The Ray of Light (1)

artist: anonymous (19) | George Inness (7) | William Merritt Chase (4) | Jean-Baptiste Camille Corot (3) | George Bellows (3) | Thomas Cole (3) | Asher Brown Durand (3) | Jasper Francis Cropsey (3) | William Trost Richards (3) | William Stanley Haseltine (3) | Francis A. Silva (3) | Claude Monet (2) | Albert Bierstadt (2) | Henri Harpignies (2) | Thomas Eakins (2) | Thomas Doughty (2) | Giovanni Paolo Panini (2) | Gustave Caillebotte (2)

depicts: sky (33) | cloud (31) | tree (24) | hill (10) | river (8) | man (8) | sailboat (7) | mountain (6) | coast (6) | horse (5) | Hudson River (5) | Atlantic Ocean (4) | woman (4) | cattle (4) | rock (4) | bridge (4) | horizon (4) | ruins (4)

part of: The Peaceable Kingdom (1)

country of origin: United States of America (59)

exhibition history: Thomas Cole: Landscape into History (2) | Salon of 1868 (1) | Joshua Johnson: Freeman and early American portrait painter (1) | Salon of 1876 (1) | American Identities: A New Look (1) | Converging Cultures: Art & Identity in Spanish America (1) | Monet & Architecture (1)

main subject: Adoration of the Magi (2) | Lake George (2) | George Washington (1) | family (1) | Emily Warren Roebling (1) | Henri Rousseau (1) | Road to Emmaus appearance (1) | Adoration of the shepherds (1) | Caroline Fry (1) | Wyntje Van Vechten (1) | Lot and his daughters (1)

location of final assembly: Brooklyn (1)

published in: Joshua Johnson: Freeman and early American portrait painter (1)